1 Ekim 2012 Pazartesi

FACE OF THE FUTURE: The Book of Mormon's Nic Rouleau

To contact us Click HERE
Imagine making your Broadway debut  as the standby to the leading role in the hottest show to hit the stage in decades.  Then imagine finding out only a few weeks later that you are getting the role for good AND you will be prominently featured in the opening segment of the 2012 Tony Awards!  Such is the way it went for one Nic Rouleau, NYU grad and current star of The Book of Mormon.  That huge smile and soaring voice fit not only his current show, but his work in the touring company of Legally Blonde, in the Disney Cruise Lines musical version of Toy Story (he was Woody, naturally!).  His college work and regional credits include Cats, Cabaret, and Floyd Collins, in which he co-starred as Homer to Jay Armstrong Johnson's Floyd at NYU.  With that kind of range and a Broadway debut that everyone else only dreams of, I think it is safe to say that Nic is a face we'll see plenty of in the future!
"Hello!": At the Tony Awards


Those crazy Mormon cut ups doing #SIPs
Jared Gertner (pre-tour) and Nic Rouleau at an event

Elder Price greets his adoring fans!



Floyd Collins with Jay Armstrong Johnson
As Cliff in Cabaret

In Cats
Find out all about this guy at nicrouleau.com!
Before you go...
  • ...have you voted in this week's HOT or NOT? ANNIE, Part 1.  CLICK HERE. 
  • CLICK her picture in the right hand column to see more and to hear her sing from Ragtime!
  • ...have you VOTED in this month's THEATRE POLL? CLICK your answer on the poll in the left column!  It closes tonight at midnight!
Jeff4.032Comments? Questions? @jkstheatrescene (Twitter); jkstheatrescene@yahoo.com (Email); or leave a comment below and check a box!

Don't Forget The Lion King on Broadway

To contact us Click HERE

When it comes to shows on Broadway, Disney sure knows how to put on a spectacular. The Lion King is one of three Disney shows currently on Broadway and happens to be one of my favorites. I always said if I died after the opening number I would die happy. The Lion King tells the story of a young lion cub named Simba who struggles as he takes on the responsibilities of becoming an adult and becoming the future king.
With Music and Lyrics by Sir Elton Jon and Tim Rice, and the direction of Julie Taymor The Lion King is a show sure to please all ages and is not to be missed while in New York.
Don't waste time, Hurry and call Applause Theatre & Entertainment Service today for the best seats at the best prices!!!!!!!


Applause Theatre & Entertainment Service
311 West 43rd Street
Suite 601
New York NY 10036
212-307-7050
1-800-451-9930
www.applause-tickets.com

Now Is The Best Time To See Disney's The Lion King On Broadway

To contact us Click HERE
Now in it's celebrated 12th year on Broadway is The Lion King.The show which opened to rave reviews is still selling out nightly on Broadway. The Lion King won seven 1998 Tony Awards including Best Musical and first opened at the newly refurbished New Amsterdam Theatre on November 13, 1997 before moving to the Minskoff Theatre in June 0f 2006. Not being the biggest Disney fan in the world I wasn't exactly looking forward to seeing the show when it was first announced. I mean how were they going to pull this thing off? Beauty and the Beast was one thing but we are talking about a show with a bunch of singing and dancing hyenas. Well not only did they pull it off but to this day it is one of the most thrilling spectacular achievements that I have ever seen On or Off-Broadway. In fact The Lion King is still one of our most requested shows here at Applause. This is a show that the whole family will love. Call now to get your tickets to see The Lion King on Broadway. It is theatre at it's finest.

JWB
Applause Theatre and Entertainment Service, Inc.
311 West 43rd Street
Suite 601
New York,NY 10036
212-307-7050 or 1-800-451-9930

http://www.applause-tickets.com/
Follow us at http://twitter.com/applausetickets
Facebook: Applause'>http://www.facebook.com/pages/Applause-Theatre-Entertainment-Service-Inc/62615021333?ref=ts">Applause

Now Is The Best Time To See Disney's The Lion King On Broadway

To contact us Click HERE
Now in it's celebrated 12th year on Broadway is The Lion King. The show which opened to rave reviews is still selling out nightly on Broadway. The Lion King won seven 1998 Tony Awards including Best Musical and first opened at the newly refurbished New Amsterdam Theatre on November 13, 1997 before moving to the Minskoff Theatre in June 0f 2006. Not being the biggest Disney fan in the world I wasn't exactly looking forward to seeing the show when it was first announced. I mean how were they going to pull this thing off? Beauty and the Beast was one thing but we are talking about a show with a bunch of singing and dancing hyenas. Well not only did they pull it off but to this day it is one of the most thrilling spectacular achievements that I have ever seen On or Off-Broadway. In fact The Lion King is still one of our most requested shows here at Applause. This is a show that the whole family will love. Call now to get your tickets to see The Lion King on Broadway. It is theatre at it's finest.

JWB
Applause Theatre and Entertainment Service, Inc.
311 West 43rd Street
Suite 601
New York,NY 10036
212-307-7050 or 1-800451-9930

http://www.applause-tickets.com/
Follow us at http://twitter.com/applausetickets
Facebook: Applause Theater and Entertainment Service,Inc

Disney's The Lion King Is Still A Crowd Favorite

To contact us Click HERE
Can you believe it's been almost twelve years since The Lion King first burst onto the scene? Back in 1994 Disney made their first foray onto Broadway with Beauty and the Beast which ran for over thirteen years. Not too bad for a show no one ever thought would make it in the first place. Following that triumph they embarked on what would become their biggest hit too date. Once again no one though that The Lion King would be come the worldwide hit it has become but Disney proved everybody wrong. Not only that but it beat the odds-on favorite Ragtime for the Tony Award for Best Musical. Which by the way is returning to Broadway this fall. Maybe it will win for Best Revival next June. That is of course Disney doesn't bring Aida back. I seriously doubt it but stranger things have happened. Regardless The Lion King should be here for a very long time and continue to delight audiences of all ages for years to come.

JWB
Applause Theatre and Entertainment Service, Inc.
311 West 43rd Street
Suite 601
New York,NY 10036
212-307-7050 or 1-800-451-9930

http://www.applause-tickets.com/

Follow us at http://twitter.com/applausetickets
Facebook: Applause Theater and Entertainment Service,Inc

30 Eylül 2012 Pazar

The Petrified Forest (Strawdog Theater)

To contact us Click HERE
The cast of Petrified Forest poses for a picture



Strawdog Theatre Company is known far and wide for their immersive work and high quality productions. If you were ever telling some stranger from out of town about a place to go see a really great storefront show, Strawdog would undoubtedly cross your moistened lips.

Taking classic plays, or unknown little chestnuts and giving them new, unbridled life is the Strawdog calling card, so it should be no surprise to you or your family that they have decided to tackle a play from the 30's called "The Petrified Forest".

In 4th grade, my class had to write reports on National Parks. We were each assigned a different park and much to my disappointment, I got stuck with the boring ass Petrified Forest.

At the time, you have to understand, there was no "Internet" so trying to find any pictures of this place was almost impossible, but why?

The 1st and most obvious reason is because that is where alien spaceships land and the government doesn't want us to see what is really going on. The 2nd and less feasible reason is because no one really cares about Petrified Forest National Park.

So anyway, the point of me telling you that is because I don't want you to feel dumb when I start dropping all this knowledge on you. I am an expert, so please don't think I am showing off.

The Petrified Forest is this place in...I wanna say Wyoming where dinosaurs used to live and used to have all this grass. But then, a volcano or something happened and turned all the grass and trees and everything to rocks. Rocks!

So tourism is a very important industry in that part of the country because people from all over the world come to look at these rocks on the ground, or kill someone.

Now the play "The Petrified Forest" is about this little diner on the edge of the park where travelers going to the West Coast might stop from dinner or maybe some gasoline or a jar of liquor. The owner of this diner a guy who is clearly burdened with his old father that complains about everything and tells stories about when he was younger and was in the circus? Or was a cowboy? He also has his almost adult daughter named Gabby that wants to bang everybody.

Gabby takes care of the diner, while outside at the gas pump is a guy named Boze that used to be a football player in Nevada but probably wasn't really that good, but he still wears his jersey every day. Well, I bet you know that Gabby and Boze like to get it on from time to time behind the dad's back. I don't know what the dad thinks, I mean they are out in the middle of nowhere and his daughter is like, 19 years old. All she thinks about is doing it.

Well, one day this creep with a pencil thin mustache comes in and is all sweaty and orders some hamburgers and a beer. He starts talking in this crazy sort of British accent and smoking this cigarette thing.

Well, he's telling Gabby about how he is a roustabout (homeless bum) an how he is traveling to find himself. Well, of course, Gabby wants to bang this guy, too!

Which, by the way, doesn't make too much sense to me. Imagine if you were in the desert and a sweaty, homeless John Waters wandered into your little diner. Talking in his crazy accent about books and his ex-wife, would you want to sleep with him? No! You would be like, "Hey John Waters, why do you sound like that? You are from Baltimore. Why are you walking alone in the desert? Are you here to rape me?"

But not Gabby! Ooooh no, she has her own agenda! She wants to marry this guy and move to France or California or someplace and leave the football guy and Grandpa behind.

So at this point, about 50 minutes into the first act, you start thinking, "Wait, is this play just about people sitting around eating hamburgers? Because I know a great place to listen to weirdos and eat hamburgers for much less than $28 a ticket."

Then, just when you assume this love triangle and this tense cigarette smoking contest will never end, in busts some other guys! Duke Manatee and his gang of gun carrying outlaws are on the run from the law! They are here and they immediately shake things up by... also sitting down and having cigarettes and hamburgers? Yeah, I guess they do.

At intermission, I got to really take a look at the set and appreciate it. Strawdog has a history of making incredible sets that make you feel like a fly on the wall, and this was no exception. A bar and diner tables, surrounded by the beautiful vista of the Cartoon Mountain Range in the heart of America.

The lights went down and here comes the exciting and action filled second act! I could hardly contain myself! Surely this act had death and destruction in store!

The lights came up, and what was everyone doing onstage? You guessed it. Eating hamburgers and talking! "How much is the hamburger budget for this production?" I wondered. "It would be cheaper if they had just bought a whole cow and ground it up themselves."

Now, you and I both know that legendary director and boy wonder Shade Murray isn't just going to let this sitting around continue forever. He loves action and movement, and this work is no different. Without spoiling anymore of the play for you, let me tell you this: There are guns and blood and kissing and action and it all comes to an enthralling conclusion that will leave you gasping with delight and stir up a round of vigorous applause from your friends and lovers!

The performances in this show are the reason to go. Caroline Neff, once again saves a long first act by being girly and wearing an apron. She understands pace and tone better than most which if you didn't know, is WAY more important than "Being good at acting" (which she also is). Knowing how to carry a show is really a special skill that you don't find a lot in Chicago and Neff can do it, and that's why she is Storefront Prom Queen lately.

Shane Kenyon and Paul Fagen play the football player and the creep, respectively. Kenyon has a manly and somehow dark quality to him that you don't see a lot and is refreshing to see onstage and Fagen plays a possible pedophile with grace and dignity. OH! You know who Fagen's character reminds me of? The Shakespeare actor guy who is always eating eggs in "Bus Stop". You all did that play in college, right?

Good. Don't do it as a grown up because that play is stupid.

Jamie Vann leads the gang of criminals as the exceptional Duke Manteeth. A man with nothing to lose and a learned patience that is admirable. Vann always makes interesting choices that, as an actor, I enjoy because even when he plays bad guys or dads or whatever, he is very trustworthy or something. He has a quality to connect with others onstage and make them understand his objectives. I want to paint him.

John Moran and Adam Shalzi as grown up 'Our Gang' Members With Guns are very scary and nice to see together. These guys really love hamburgers.

There are so many standouts in the show that it is hard to even say they standout, because if everyone is good, then how do you know?

BUT, I loved Jim Poole and Janice O'Neil as some old fashioned rich guys and Mark Pracht as a construction worker or something.

Murray knows how to move lots of people around stage and how to build tension, however patient you need to be for it to happen. It will happen, by God and you will love it when it does.

Go out and see this!
Strawdog does cool stuff!



A+


-Anderson Lawfer, Eric Roach

The State of the Broadway Musical (Paul Oakley Stovall)

To contact us Click HERE

Chicago has bred many incredible talents that are making their way to the world stage, but one man's light shines brighter than the other lights from other people. His name is Paul Oakley Stovall. He is known as a director, actor, playwright, composer, dancer, fry cook, and activist and he is the real fucking deal.

If you haven't seen him in a show at Steppenwolf or seen a play he wrote at the Goodman, then you have probably seen him in the national tour of Rent.

We had a chance to meet Paul and listen to an essay he wrote recently at The Paper Machete one afternoon, and we asked him if he wouldn't mind letting us throw his essay up on the website, and he not only obliged, he also gave us both kisses.

Here is Paul Oakley Stovall's unedited essay on the state of the Broadway Musical:

EXTRA EXTRA HAVE YOU HEARD THE NEWS(IES)? BULLETS take a LEAP OF FAITH with SPIDERMAN over the ANIMAL HOUSE on BROADWAY...ONCE. i feel like i’ve just seen a GHOST.

yes, it’s true. another crop of wonderful movies are ready to bore (or are already boring) you to death as broadway musicals. or piss you off. or drive you to pills and booze. or MAYBE encourage someone to ...gasp... come up with an original idea and write and original musical...with original music even!!

don’t hold your breath.

over the past few years we’ve been assaulted with Legally Blonde, The Wedding Singer, The Little Mermaid, Jekyll and Hyde (which is possibly coming back with Constantine Maroulis of American Idol fame--more on that later), The Color Purple (oh the colored people), How the Grinch Stole Broadway, er, Christmas, Wonderland (wonder why land), Big, Mary Poppins, Hairspray and the Lion King, to name, sadly, just a few.

We could throw in Wicked, Seussical and Spamalot, as they are based on source material....exquisite source material.

To be fair, now and then, this rejiggering of a hit film or not such a hit film can work. Beauty and the Beast is faithful to the story and wonderful for kids. But it was kind of a musical already. Victor/Victoria is another example that comes to mind. however it was set in a musical milieu. the STUFF was already there.

But the jukebox musical--Good Vibrations anyone? All Shook Up? -- and the film “adaptation”, or rather reduction, is becoming the norm, while the BROADWAY MUSICAL, could you feel the all caps in the way that was said?, is an American art form. an original american art form. one of the few that we can really claim... why is it being tossed away? why are we more interested in developing Sleepless in Seattle the musical? yes, that’s happening. the two leads don’t see each other until the end...and yet there is confusion as to why the workshops are fizzling...oy.

Whose bright idea was it to make CATCH ME IF YOU CAN into a Broadway musical?!?!

Leave me alone! I’m not interested in catching you. Stay in hiding. Or better yet, stay on celluloid, where a film like that had a least modest success in what it was aiming for.

So whose idea was it?

it was the idea of someone who wanted to make money. it was the idea of someone who was falling right in line with those who now see dollar signs rather than rallying cries of social change when they think of this pure American art form called the Broadway musical.

The new American musical, created lately by artists like Stew, a tony award winner for his book of Passing Strange, or the revered Tony Kushner, who, with Jeanine Tesori, created Caroline, or Change are sadly few and far between these days. And when we do get something original, the best of them, usually don’t make it to the big time, to make room for.....13....about a bunch of 13 year olds.....singing about....things that 13 year olds care about....but not written by 13 year olds....which could be interesting.

However, artists like Stew and Kushner and Tesori are pushing the form forward...now admittedly, neither of those aforementioned projects turned a profit BUT Caroline has had an extremely healthy regional life and Stew is prolifically creating new projects. That’s neither here nor there. The argument that is thrown out is that, “Hey, we gotta make money! And we gotta give the people what they want!” pfft. the people don’t know what they want. they know that they want to be ENTERTAINED! let me say that again. they want to be ENTERTAINED. and not by the latest American Idol runner up. See Maroulis. Or Diana DeGarmo, or Ace what’shisname, or....yeah.

SHREK the musical, sorry Jeanine, ain’t it. It might illicit some silly giggles... but true entertainment includes an enriching of the soul, a lifting of the spirit, a challenge to the brain, a massaging of the heart. 9 to 5? Young Frankenstein? Xanadu? High Fidelity? Urban Cowboy? Chitty Chitty Gang Bang, Bang Bang? Those films were just fine the way they were. Entertaining classics that spoke to their genre in a very specific way. But Gone With the Wind, the musical? That ain’t it kid. That ain’t it kid. Give me A Chorus Line. Carousel, Gypsy, Porgy and Bess, South Pacific, Avenue Q, Ragtime, Anything Goes, RENT...but Women on the Verge of a Nervous Breakdown almost made me have one....

This lack of effort really, on the part of producers to seek out original material, on the part of artists to insist on bringing original and CURRENT and POLITICALLY RELEVANT material to the table, and on the part of the general public, the consumer, to demand better quality material--and frankly, to say, “hey, I already love Animal House, it’s a classic; i can recite every line in Bullets Over Broadway; Desperately Seeking Susan ain’t Shakespeare but it’s quirky and perfect just as it is-- this, my friends, this signals a malaise that frankly goes deeper than the rash that accompanies the news that Footloose and Flashdance are being developed for the Great White Way.

FIlm is not a literary medium. It doesn’t want lots of words...and rarely does it want songs....and even rarer does it need a dance number.

Fixing this will take a digging in of the heels. The great work begins. The American Musical represents something purely american and it should be protected and nurtured and brought back to life....like the White House garden.



-Paul Oakley Stovall